Two writers wade into the hazy environment of David Thomson’s new work to grapple with opacity and transparency, the magical and mundane. Where one sees an M, the other sees a W, yet both come away with a sense of intimacy in the unknown.
At the Chocolate Factory Theater in Long Island City, Queens, the Institute of Useless Activity’s “This and That” is also experimental, but it occupies the other end of the overload spectrum. Its medium is light and shadow.
Meanwhile, at the Chocolate Factory, a former machine shop in Long Island City, there’s a show that Witkacy would have loved. “This and That” is chock-full of pure forms being manipulated and juxtaposed. Staged amid a mess of equipment and projectors and lights on stands, it has the feeling of a demonstration hour, a sharing among friends. It is free of psychology and dialogue, at least in the conventional sense, a bare hour of “choreography” made just from light and shadow.