Early Stage Creative Residencies

Throughout the 2025 / 2026 season, ten artists selected via a peer nomination process will each receive access to space and financial support for early stage research into their new projects.

Christina Masciotti

In Liberty Scrap, cash is tight, and the goings are tough, but Katya has managed to eke out a living in a scrap metal warehouse by day, and as an artist by night, fashioning sculptures out of debris. When her Uzbek father falls ill, she attempts to return home to care for him, only to discover her dubious immigration status is much more dangerous than she ever imagined, threatening to keep her separated from her family forever.

Saturday Salons

In the spirit of the unfinished, the unformed, and the untamed, the Saturday Salons bring together visual artists, writers, musicians, composers, performers, and others to present selections from works-in-process.

Karinne Keithley Syers

Your Ghost Body is both a video game, hand-made by Syers, and an analog performance in which the audience collectively acts as the player. A memory palace in the form of a playable junkyard, its live medium is luminous radio, working the edge between sound, text, song, and projection.

Neal Medlyn

Made in Heaven is a new performance and visual art piece by Neal Medlyn in collaboration with Ulrika Andersson featuring live music, dance, painting, and video. Inspired by the Jeff Koons/Cicciolina art disaster, and following large scale works by Medlyn on themes of death and God, Made in Heaven is about sex and the doomed and comic creation of something alluring, menacing, and holy.

Steven Wendt

Loosely using Plato’s Allegory of the Cave, scientist Steven will dive into the world of exploring how shadows and sounds can match up to make feelings happen. All ages are welcome, especially ages 5 - 12 years old.

Ayano Elson

Control emerges from research into y?kai (shapeshifting entities) and henshin (transformational processes) from Okinawan folkloric traditions. Drawing on postwar Japanese cinema’s treatment of corporeal transformation and sexualized violence in films like Paradise View and Woman in the Dunes, invites six paired performers into a shared, occupied site where sensual memory, historical trauma, and embodied shame oscillate and intersect within the dark, heavily surveilled space of the theater.

Moriah Evans

BANKing: […/+*^%<>€£¥$&@!!!!^^^] is an immersive performance that confronts the body as an ambivalent site of political and existential inscription.

Jasmine Hearn

Memory Fleet is a continually expanding, episodic, migrating performance that builds an alternative archive for the preservation of shared embodied memories and stories.