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Stacy Grossfield

Stacy Grossfield’s new dance/theater work is a blunt, graphic, macabre and vulnerable dissection of female pain, both physical and spiritual; centering the female body as a site for personal and artistic rebirth.
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Donna Uchizono

Donna Uchizono, alongside artists Joanna Kotze, Antonio Ramos, and Jordan Lloyd, will offer a series of dance dedications exploring the body’s expansive capacity to listen. Grounded in the question—"if you were to dedicate a dance to a person, who would that be?"—the dancers invite the audience to talk about someone they would like to dedicate a dance to in a mutually vulnerable exchange, anchored by the weight of trust and intimacy.
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Leslie Cuyjet

For All Your Life is a performance event, film, and social experiment that investigates the value of Black life and Black death; scrutinizing the mechanism of life insurance through the prism of the underwriting process.
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Heather Kravas

Pouffy piles, wobbly stacks, loops, lists, gerunds, slaps, slips, crashes, splits, sobs, bad mother fuckers and shitty mommies.* Take that, and that, and that, and that, and that. “There is no such thing as repetition," Gertrude Stein says. overly merry is a gift made for Mary Overlie from this shore to the other. It asks her, “did you mean this?”
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Mother’s Day Open House and Block Party

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Alex Romania

Face Eaters is part experimental documentary, part video poem, part Total Theater Mess, part danceography, and part operatic funeral film set; dwelling in the zeitgeist of never as an ineffable absurdity of "autobiography".
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Angie Pittman

Black Life Chord Changes uses dance, text, and sound to illuminate a nuanced and experimental portrayal of Black dance, drawing from traditions of liturgical dancing, Soul line dancing, Umfundalai, and post-modern improvisation.
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jess pretty

call and response is personal and archival; calling on me to turn towards my own story, lineage and memory as the site of choreographic creation. in looking to/for myself, i gather an archive to provide proof of life for future generations instead of the constant images of black death we have experienced time and times again.