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Wealth from the Salt Seas explores the embodiment of assertion and agency through visceral somatic experience. Vocalist and composer Gelsey Bell joins Anna Sperber in performance to collaboratively mine the physical space of the theater for its poetic and emotional vibrations. The female body emerges as a resonant, echoing force within a visual landscape conceived in collaboration with scenographer Sara C. Walsh and lighting designer Elliott Cennetoglu.

Advance ticket sales for bend the even are closed. We will sell a limited number of floor cushion seats to walkup patrons, first come first served.

bend the even revisits Jennifer Monson’s research into the indeterminate phenomena that exist at the edges of human perception. The project focuses on the relationship between optics, reception and the shifting continuity between sound, light, and movement. The piece creates a system of relationships that weave the mediums of movement, sound, light and structure (both architectural and costume) together into a field of perceptual phenomena that leave the audience at the edge of comprehension. bend the even explores containment and relinquishing through ever-narrowing parameters.