Milka Djordjevich

Questioning contemporary dance’s predisposition towards neutrality, authenticity and the de-sexualization of the female body, ANTHEM embraces theatricality, virtuosity and sass. The work weaves together existing and imagined vernacular dance styles to explore labor, play, and feminine-posturing. Four women execute a repetitive yet complex movement vocabulary that evolves as they rotate hypnotically within the confines of a square. Over time, the meditative rigor of their steps dissolves into a tangle of commotion, blurring the distinction between the mundane and the glamorous.

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Unleashed in Queens, Groovy Chaos From Los Angeles
Gia Kourlas, New York Times

An anthem has popped up in Queens — as rousing as one should be, but danced not sung. It feels like a rite of spring. Often in contemporary dance, the expressiveness of the body — and especially the face — is kept under wraps. Dancers stay in a neutral space of impassivity. But in her delightful new “Anthem,” the choreographer Milka Djordjevich presents an evening of dance that celebrates theatricality with a brazen, sensual and blessedly chaotic force.

a code of clouds
Cori Olinghouse

A dark cloud, walks into a room. This is Melinda Ring’s working title from an earlier iteration of c lo    u       d. At a studio visit on July 30, 2016, she is wearing a white T-shirt from the Bureau for the Future of Choreography, with black lettering inside a Venn diagram: “life,” “death,” and “dance.” The T-shirt shares an odd resemblance to the work I’m about to see. Piles of paper blankets are nestled in the corner. View the PDF here.