Throughout the 2025 / 2026 season, ten artists selected via a peer nomination process will each receive access to space and financial support for early stage research into their new projects.
Events
“‘When they say, Come here and play and experiment and move the furniture around and don’t worry about making a mess, it really creates an atmosphere that is conducive to discovery and surprise’. As the theater settles into its new home — two adjacent warehouses that were once a tool and die factory — that ethos will likely endure, along with the founders’ cultivation of local relationships.” – Siobhan Burke, New York Times
“‘When they say, Come here and play and experiment and move the furniture around and don’t worry about making a mess, it really creates an atmosphere that is conducive to discovery and surprise’. As the theater settles into its new home — two adjacent warehouses that were once a tool and die factory — that ethos will likely endure, along with the founders’ cultivation of local relationships.” – Siobhan Burke, New York Times
Current Season
Playing the Hits: Dancing with the Stars! is a monthly series of screening the documentation of older works by living choreographers. Please join us for each monthly gathering to see these important performances, hear a post screening conversation between Kim and the choreographer, and schmooze afterwards for a community hang. It's casual!
Join us for our very special fourth annual Mother’s Day Open House & Block Party on Sunday, May 10, 2026, 1-5pm with activities for the whole family. Returning this year, AUNTS, a collaborative dance platform producing simultaneous dance/performance/parties, is co-hosting with Martita Abril to bring us a vibrant, abundant Dia de las Madres.
In the spirit of the unfinished, the unformed, and the untamed, the Saturday Salons bring together visual artists, writers, musicians, composers, performers, and others to present selections from works-in-process.
[…/+*^%<>€£¥$&@!!!!^^^] confronts the body as a of political and existential conundrums. A sequence of circumstances—internal and external, individual and collective—evolve for performers and public. Through a compositional structure that circulates bodies, meaning, and value through repetition and a series of changing relationships, Evans asks what it means to give, take, receive, and be taken. It is not merely a choreography of movement and sound, but one about power, dependency, and worth. It explores gratitude, anxiety, and regret through empathetic connection, ecstasy, and complaint.
Memory Fleet is a continually expanding, episodic, migrating performance that builds an alternative archive for the preservation of shared embodied memories and stories.
