Archive

Since its first season in 2005, The Chocolate Factory Theater has supported the development and presentation of new work by a community of local, national and international artists working in dance, theater, and interdisciplinary performance. The Chocolate Factory’s programs have drawn many thousands of new visitors to its 5,000 square foot industrial facility in Long Island City, Queens. The organization recently purchased a permanent facility in the neighborhood.

Archived Events

November 29 – December 9, 2017

Keely Garfield
Perfect Piranha

Perfect Piranha moves in circles through ineffable strands of shady movement to fully-articulated declarative dancing. It emerges as an uninterrupted flow of continuous movement, veering between a whisper and a roar. Perfect Piranha gives sway to mixed emotions, evaporating patterns, and exclamatory physicality with vaudevillian flourishes. The dance concludes in an immaculate outpouring – Mandala – a dance within a dance. Mandala is an extraordinarily intricate ascending spiral that serves as soulful completion.
Wealth from the Salt Seas explores the embodiment of assertion and agency through visceral somatic experience. Vocalist and composer Gelsey Bell joins Anna Sperber in performance to collaboratively mine the physical space of the theater for its poetic and emotional vibrations. The female body emerges as a resonant, echoing force within a visual landscape conceived in collaboration with scenographer Sara C. Walsh and lighting designer Elliott Cennetoglu.
What would have happened in 1993 (the same year that Anne Geddes envisioned her first coffee table book “Down in the Garden” and GG Allin died of a drug overdose) if Geddes had traveled from New Zealand to New York City to rendezvous with GG Allin?
Advance ticket sales for bend the even are closed. We will sell a limited number of floor cushion seats to walkup patrons, first come first served.

bend the even revisits Jennifer Monson’s research into the indeterminate phenomena that exist at the edges of human perception. The project focuses on the relationship between optics, reception and the shifting continuity between sound, light, and movement. The piece creates a system of relationships that weave the mediums of movement, sound, light and structure (both architectural and costume) together into a field of perceptual phenomena that leave the audience at the edge of comprehension. bend the even explores containment and relinquishing through ever-narrowing parameters.